Abigail Breslin Finds out To Rock In 'Janie Jones'

It is not an easy factor, playing a parent or gaurdian-daughter rock-duo, and which causes it to be appear authentic. For "Janie Manley" stars Abigail Breslin and Alessandro Nivola required to suit your purposes, nevertheless it was simpler for starters in comparison with other. Breslin may be recognized for her dance moves from her breakout role in "Little Miss Sunshine," however, if it found singing, she will be a novice just before obtaining the role. "Personally, I never really sang before. I started going for a few voice practicing entertainment, and have been kind of coincidence this script came to exist,Inch mentioned Breslin, who plays the titular role of Janie Manley, a young sing-songwriter abandoned by her mother and left to reside in along with her dead-beat rocker father, carried out by Nivola. The role presented Breslin by getting an chance they found both rewarding and demanding. "It absolutely was incredibly nerve-racking especially to make use of with somebody that am experienced," Breslin mentioned regarding Nivola. "He's this kind of good singer and guitarist.Inch Nivola talks about his experience a little more half way decent, and states he did not have real professional ambitions. "I'd carried out in a few bands attending school and school, these noticeably sloppy," Nivola mentioned. "My most glamorous gig was playing toga parties at frats attending school, which i recall getting beer put over my thoughts when i was searching for your guitar guitar chords to 'Magic Carpet Ride.'" Nivola might not continue his career just like a rocker past the relieve the film, but also for Breslin, "Janie Manley" only agreed to be the beginning of her musical career. After her understanding concerning the film and discovering how you can sing and play guitar, she produced a band along with her pals referred to as Cabb. "Janie Manley" is becoming in choose theaters which is available if needed. Reveal what you consider inside the comments section and also on Twitter!

R.E.M.'s Final Music Video: The Many Moods of Kirsten Dunst

After playing the depressed Justine in Lars von Trier's 'Melancholia,' it's nice to see actress Kirsten Dunst smiling a little. In 'We All Go Back to Where We Belong,' the latest (and, ultimately, final) music video from R.E.M., the Georgia-based band -- that broke up last month after playing together for three decades -- turns the camera squarely on Dunst. For three-and-a-half minutes, she laughs, smiles, and tears up about ... well, that's unclear. Is it Michael Stipe's soothing voice? Is it the fact that this music video is only in black and white? Watch ahead and judge for yourself. Kristen Dunst's 'Melancholia' is in theaters November 11. After that, she can be seen starring opposite Andrew Garfield in 'The Amazing Spider-Man' in the upcoming adaptation of Jack Kerouac's 'On the Road,' with Kristen Stewart and Viggo Mortensen. [via EW] [Photo: YouTube] Follow Moviefone on Twitter Like Moviefone on Facebook

Winfrey Looks To The Web To Energize Her Network

First Published: October 28, 2011 9:10 AM EDT Credit: Getty Premium LOS ANGELES, Calif. -- Caption Oprah Winfrey speaks at The Cable Show 2011 at McCormick Place, Chicago, June 16, 2011After 25 years on TV, Oprah Winfrey says she is having the time of her life on the Web. The 57-year-old mogul is connecting with viewers through her weekly webcasts, and she says its the most fun Ive had ever. Winfreys live webcast discussions about her new show, Oprahs Lifeclass, have been so popular, theyve been added to the lineup on the Oprah Winfrey Network. Lifeclass premiered earlier this month and features Winfrey sharing her favorite interviews and insights from her long-running talk show. On Fridays, she discusses Lifeclass lessons during an hour-long webcast with a live audience and invites viewers to comment or ask questions in person or through Facebook, Twitter and Skype. Winfrey says connecting with her audience individually and in real time is just a fantastic experience. Copyright 2011 by The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Leonardo DiCaprio Jumps Into Tech Startup Scene With Mobli

Joining the ranks of Ashton Kutcher, Justin Bieber and Lady Gaga in promoting tech startups, Leonardo DiCaprio has surfaced as one of a group of investors who put up $4 million in seed money for visual social media platform Mobli, tech news site Mashable reports. Mobli allows people from all over the world to share moments, says DiCaprio, who is taking an advisory post. The way users “share” those moments is by taking photos and videos that Mobli tags automatically with a location or major event that makes it possible to follow specific users, locations and topics. Lukas Haas is another investor. One thing that distinguishes Mobli from similar platforms is the participation of high-recognition names like DiCaprio, David Arquette and even Paris Hilton (remember her?). DiCaprio has posted only seven times, but has more than 8,000 followers. His Leonardo DiCaprio Foundation has separately posted 24 times. But those 31 posts have accounted for 163,244 media views — which as DiCaprio, Kutcher and other celebs illustrate, a little goes a long way.

Jennifer Lopez Explains Crying At Concert

First Published: October 24, 2011 9:58 AM EDT Credit: Getty Premium Caption Jennifer Lopez performs onstage during at Mohegan Suns 15th Anniversary Celebration in Uncasville, Conn. on October 22, 2011 LOS ANGELES, Calif. -- Jennifer Lopez was swept away with emotion while performing over the weekend, and the superstar told Access Hollywood what brought her to tears. Access guest correspondent Jill Martin caught up with J.Lo following her concert at the Mohegan Sun casino in Montville, Conn., on Saturday, where she dished on her performance of her new song, One Love. After I sang the song, Im standing there, and I realized that I did bare a little bit of my thoughts in this song. I also acted it out, kind of, for the audience. The way they received it was very touching, Jennifer explained. I think that they felt what I felt, which is, you know, Im just a girl, just like everybody else, trying to find my way, the 42-year-old star, who split with Marc Anthony in July, continued. I felt like they got that, and they understood it, and we were all like one at that moment. Adding, It was very, very touching. I think they felt that, and I felt it from them. It kind of overwhelmed me. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Good Lord! Hollywood Suddenly Hot for the Bible (Analysis)

Are Moses, Noah and Judah Maccabee the next Bella, Batman and Harry Potter?our editor recommendsParamount, New Regency to Back Darren Aronofsky's 'Noah'Gibson's Maccabee Movie Latest Twist In Star's Tortured History With Jewish CommunityMel Gibson Explains His Judah Maccabee InterestMel Gibson's Judah Maccabee Project: Bottom Feeding on the Bottom Line (Opinion)Mel Gibson's Maccabee Rival Producer Bruce Nash Speaks About Project (Exclusive)Move Over, Mel Gibson: New Judah Maccabee Project in the Works (Exclusive)Why Mel Gibson Went Forward With the Judah Maccabee Project With half a dozen film projects derived from classic Bible stories in development, it would seem that Hollywood has (amen!) found God. Not since the 1950s, when Paramount and Cecil B. de Mille trotted out a handful of Old Testament tales, has there been so much Good Book on the books. Paramount and New Regency are building the big-budget Noah with Black Swan director Darren Aronofsky; Relativity has Goliath in the works with director Scott Derrickson; Warner Bros. has its controversial Judah Maccabee/Hannukkah movie with Mel Gibson producing (that film is competing with another Maccabee project); Steven Spielberg is considering directing Gods and Kings, a Moses story; and an adaptation of John Milton's Paradise Lost starring Bradley Cooper as Lucifer is aiming for a January shoot. It's a veritable flood. "'What are those things that have huge pre-awareness that are huge spectacles that you can exploit our contemporary filmmaking abilities to do even bigger?'" says Goliath producer Wyck Godfrey, who saw comic-book, video-game and fairy-tale cycles running their course. "We've spent our entire lives hearing sports analogies of David versus Goliath. Well, before every David and Goliath story there was David and Goliath. That's how I sold it." PHOTOS: L.A.'s Power Synagogues In Hollywood parlance, Bible-inspired storytelling has great global brand recognition, as super-successful films such as The Ten Commandments (1956) and The Passion of the Christ (2004) have shown. Commandments grossed $65 million domestic in 1956, which equates to more than $1 billion in today's dollars, while Passion grossed $476 million, adjusted for inflation. According to Godfrey, Old Testament stories involve less controversial archetypes that appeal to a wider audience than New Testament stories that split faiths, especially if they can be dressed up in modern technological spectacle. That previous heyday of religious-themed films --Samson and Delilah (1949), David and Bathsheba (1951), Commandments (1956), Ben-Hur (1959), The Greatest Story Ever Told (1965) -- also came at a time of great technoligical advancement, as widescreen cinema was revived in 1953. Recent boundary-pushing epics such as The Lord of the Rings and Avatar have invited the new crop of Bible-related projects to tell those grand stories with equally epic new tools -- the arc and the flood in Noah, the war of the angels in heaven in Paradise Lost, the parting of the Red Sea in Gods and Kings can take full advantage of state-of-the-art visual effects. PHOTOS: Democrats and Republicans' Favorite Movies But that spectacle still must please the true believers who demand fealty to the biblical text. "You have a choice: Do we do an interesting take that involves unorthodox choices, or do we try and be different and interesting within the boundaries of orthodoxy?" says Paradise Lost and Gods and Kings screenwriter Stuart Hazeldine. "My modus operandi was: stick within the bounds of orthodox theology." The evident devotion of the filmmakers can make or break a film, as well. Whatever its artistic merits, Gibson's Passion was infused with righteous belief, whereas The Nativity Story, which was greenlighted in that film's aftermath, stalled at a $37.6 million domestic gross in 2006, perhaps because it felt opportunistic in Passion's wake. "It worked, it just didn't work in that everyone-has-to-go-see-this-movie," says Godfrey, who also produced Nativity. He points out that the new films in development have the benefit of more obvious genre elements, whether adventure (Noah) or action/violence (Maccabee, Moses, Goliath). STORY: L.A.'s Power Synagogues: Where the Industry Goes to Worship Recent small-scale feature successes such as the faith-based Fireproof and Courageous have also helped reignite interest in with skittish TV executives, who have largely abandoned the type of bluntly spiritual fare that CBS had success with more than a decade ago with such shows as Touched By an Angel and The Promised Land. Though none has been granted a series order, ABC is currently reworking last year's passed over pilot Hallelujah from Desperate Housewives' Marc Cherry and developing a spiritual drama from Lost's Carlton Cuse and pastor-author Rob Bell, while Lifetime is working up an hour-long series from Angel producer Martha Williamson centered on a hospital chaplain. "The eyeballs are there," insists Paradigm agent Michael Van Dyck, who is building a business focused on bringing faith brands, including established authors, therapists and musical acts, to TV and film. "In this economy, people are starving to see real characters that have a relationship with God on the air. And as soon as one of those shows hits, whichever executive is behind it will appear to be a genius." STORY: Box Office Shocker: How Moviemaking Georgia Church Behind 'Courageous' Outperforms Hollywood Any of these films or series has a huge potential upside if it manages the delicate balance of honoring the devout while still providing modern-day storytelling spectacle. "If you get it wrong, you end up with protesters outside the movie theater, a la Last Temptation of Christ," says Hazeldine. "If you get it right, they go back and back and back and they're bussing from out of state." God willing. Email: Jay.Fernandez@thr.com, Lacey.Rose@thr.com Related Topics Carlton Cuse Darren Aronofsky Mel Gibson Steven Spielberg Marc Cherry

UFC brings PPV occasions to theaters

Ufc and Cinedigm are planning to create four live pay-per-view occasions to theaters in three dimensional. Cinedigm has pacted with Ufc to create four UFC occasions annually to theaters in live three dimensional. Initial event within the series, looking for February. 4, will mark the very first three dimensional pay-per-view for UFC. The credit card has not been determined. February's event is going to be proven in 120 theaters within the U.S. -- a great beginning point for that series, Cinedigm chairman-Boss Chris McGurk told Variety. "The key factor would be to fill individuals theaters, and that i don't believe that will be considered a problem," he stated. Cinedigm's theatrical alternative content strategy includes building systems of theaters with appointment programming. "No matter the network you've, the most crucial factor will be supplying content enthusiastic audiences need to see inside a social setting. UFC, the way in which it's skyrocketed within the last couple of years, is the best content to set up theaters live as well as in three dimensional," McGurk stated. Another pillar of Cinedigm's technique is accumulating week day theater attendance, that is really low. The first UFC event is on the Saturday evening. "Whenever you have occasions such as this, league sports, boxing, UFC, the truth is to place it inside,Inch McGurk stated. "It does not appear day." Cinedigm didn't disclose which theater chains are likely to carry the big event, but McGurk stated, "It will be broad-based both geographically as well as in the exhibition footprint. There's lots of demand in exhibition with this type of event." UFC includes a global following it's observed in a lot more than 130 nations and areas, likely to 597 million houses in 21 languages. It already produces greater than a dozen live pay-per-view occasions every year and it is growing its broadcast presence. In August it introduced a seven-year pact with Fox the Fox network will air four fights annually beginning November. 12. Early in the year UFC's reality show, "The Best Fighter," moves from Spike to Forex. Fuel TV will even air UFC content. Contact David S. Cohen at david.cohen@variety.com

Hawaii Five- Set Visit: Cast Talks Face Ho's Hot Date, Kono in serious trouble

Daniel Dae Kim, Reiko Aylesworth Hawaii Five- almost had an ideal scenario for any romantic date: a seaside locale, a shared meal, a romantic vibe ... oh, contributing to 24 vacationers attempting to take pictures from the interlude. On the balmy August trip to the Duke Kahanamoku lagoon at Waikiki's Hilton Hawaiian Village, Daniel Dae Kim and Reiko Aylesworth were filming to start dating ? between Face Ho Kelly and ex-girlfriend Malia for Monday's episode, "Ma'em'e" (10/9c, CBS). TVGuide.com was around the set to look at Kamekona's shrimp truck and discover what's happening with cousins Face Ho and Kono (Sophistication Park). Hawaii Five-: Is the team lose Kono? Last season, Face Ho stored busy dealing with Five- and clearing their own title of scandal before rejoining the HPD. He's not only focus on his mind now, though. "You are seeing among the changes for Face Ho this year,Inch Kim told TVGuide.com. "Many of the first season was spent looking for their own devote Five-, looking for a new family. Now we are likely to see much more of Face Ho's back story regarding his romantic existence." "He and Malia were once engaged," Aylesworth described. "Then, throughout all of the research into Face and also the corruption scandal, he broke them back together with her. He was attempting to safeguard her, but everybody -- including Kono -- believed that she left him because she did not desire to be with someone dealing with that. It's complicated. It appears like they are attempting to rekindle something over shrimp." Whether Kamekona's shrimp plates put Malia inside a romantic mood remains to appear. They appear to possess labored their seafood miracle around the usually private Face Ho, though. "He's confiding in someone outdoors from the team. That isn't something we have seen him do very frequently," stated Kim. "He's held lots of secrets and has not reliable people, so he has a tendency to hold a great deal inside and never achieve out. Within this scene we have seen him achieve to someone who he likes you with whom there can be a real spark of something." "Within this scene and through the episode you simply begin to see the very deep connection these two have," Aylesworth added. "I believe i was together for a long time. They are intended to be together, for me. Intended to be does not mean is going to be. ... there is lots in the manner." Among individuals obstacles at this time is Kono, who's been acting just a little surly and lost since she was continues to be removed of her badge. Face Ho has attempted to cope with to his cousin, but "she's not really for the reason that space," said Park. Now it's Malia's use try. "In another scene, Malia foretells Kono about how exactly they accustomed to drive her all over the island to any or all the surfing competitions when she is at senior high school,Inch stated Aylesworth. "I believe Malia was just like a large sister to Kono and would like to be in that position, however i don't believe Kono is near prepared to forgive her for which she thinks Malia did." Which Hawaii Five- figures made our listing of TV's most sexy crime martial artists? It certainly does not seem like any supportive words got to Kono. Last we had, she'd allied herself with dirty ex-cop Frank Delano (Billy Baldwin) as well as gave HPD apple to him. In Monday's episode, a Five- analysis brings they in person with Kono's recent activities. "There is a volleyball coach that people think is shady that will get wiped out and we are looking into what's happening,Inch revealed Scott Caan. "It works out to become something associated with Billy Baldwin's character." Read this clip of Face Ho and McGarrett (Alex O'Loughlin) quarrelling about how exactly Kono is within deep ... maybe too deep: It is a pretty harsh situation that Kono voluntarily chose ... but possibly with reluctance. To listen to Park talk, Kono does not seem like she provides extensive options. "So what can she do? She's pretty tied," Park stated. "She has been feeling pretty frustrated. Kono has truly recognized with as being a cop and doing something for that community ... now that which has been removed, it is the acceptance of this. There's distance between her and also the entire team, and she or he knows her place isn't together any longer. She must find her new niche ... And perhaps she will it in a way that's not too good." Take a look at Kono's "not too good" activities when she meets track of Delano again: See what goes lower with Kono, Face Ho and also the relaxation of 5- on Monday at 10/9c on CBS. Do you consider Kono has turned into a criminal with regard to revenge? Or do you consider she's playing a much deeper game? Regardless of what, should Five- take her back? Do you consider Face Ho and Malia could make their relationship work? Photos thanks to E-PR

REVIEW: Nicole Kidman and Nicolas Cage Fend Off Half-Assed Home Invasion in Trespass

There’s so much shouting in Joel Schumacher’s hostage thriller Trespass that you start to imagine the cast must have had to take every third day off to sit around in wool scarves with lemon tea focusing on regaining the ability to speak. If you were to down a shot every time someone screams “Go!” or “Run!” you’d expire of alcohol poisoning before the credits ran. Taking place over the course of one shrieky evening, the film presents a home invasion scenario to fit up with our new era of class warfare accusations — a group of desperate thugs posing as policemen force their way into the high-end lakeside home of a diamond dealer and his family, who turn out to be struggling through their own financial dire straits. Fittingly, Trespass offers a parallel demonstration of how Hollywood currency ain’t what it used to be either. Schumacher’s in a down cycle after the nominally released 2009 Blood Creek and 2010’s awful Twelve, but Trespass, which from the cheesy font in which its title appears onward has a decidedly low-rent feel and scope, also stars Nicolas Cage and Nicole Kidman as Kyle and Sarah Miller, the upper middle class couple under fire. Even before the arrival of the guys bearing guns and a crack-addict girlfriend, the Millers’ apparent domestic bliss is more fragile than it first seems on its sleek surface. Kyle is constantly wheeling and dealing on his phone, trying to set up a buy that night, too busy to pay attention to his lonesome wife even when she gets dressed up for the dinner she’s spent the day cooking and can’t interest anyone in eating. Their sulky teen daughter Avery (Liana Liberato) sneaks out to a party they told her she couldn’t attend, and so misses the dramatic entrance of Elias (Ben Mendelsohn, so frightening in Animal Kingdom but given less to work with here), his brother Jonah (Cam Gigandet), the brawny Ty (Dash Mihok) and Elias’ tweaked-out gal pal Petal (Jordana Spiro). The not-quite-real-time in which Trespass unfolds is structured like a high states negotiation in which both parties are patently ridiculous. Kyle decides that the intruders, whose own faade of mask-wearing, clock-watching competence crumbles almost immediately, are in all likelihood going to kill him and his wife after they get the money they believe is somewhere in the house and that Kyle insists was spent, since they’re not packing anything with which to tie their hostages up. Kyle refuses to open his safe, believing it to be his only bargaining chip, and that’s when the volume starts getting turned up on everyone’s dialogue, threats are made and Kidman’s formal French twist is mussed into something fortuitously reminiscent of a Bardot ‘do (such is the magic of the movies). In twists revealed via brief flashbacks, we learn more about how everyone ended up in this drastic situation, a series of secrets, betrayals and obsessions that initially feels like a way to flesh out a limited idea to feature runtime, but then becomes so loopy it’s close to trashy fun. The same can be said for Cage’s performance, which, while not at the level of his Wicker Man highlight reel, builds into something enjoyably blustery (he asks one of the gunmen if he knows the etymology of the word “diamond”) as his suit-and-glasses Kyle tries to prove he’s capable of protecting his family against these tattooed toughs, one of whom seems to be awfully familiar with his wife. Despite its gestures toward relevance — the Millers live in a swank but only half-finished modern abode Sarah designed herself, and as Kyle explains, “we never owned this house, it owned us” — Trespass is best received as an almost viable B-movie that just happens to have A-list leads. For all of the turns from which it manages to wring tension, like the possible salvation represented by a call from the Millers’ security company, there are two that are laughable, like a character being given away by the beeping of a digital watch, or another flicking through some home movies on a bedroom flat screen. The film is conceptually the story of a yuppie’s last stand, his clawing attempts to shield his family from physical threats after he’s failed to do so when it comes to monetary ones. But there’s not a lot to hold on to with these characters, who are sketched out in broad strokes. As things fall apart, the bellowing starts and Trespass turns into a repetitive cycle of characters being dragged around at gunpoint and occasionally beaten, it grows numbing and difficult to invest in the fate of anyone on-screen. The best line finds someone snapping at another who’s refusing to cooperate to “do it, so we can all die because I don’t give a fuck anymore.” Unless you too have lost a fortune in the gemstone biz, that’s the most relatable thing you’ll hear in the film, spoken or yelled.

'Star Wars: Episode I - The Phantom Menace 3D' Poster: Jar Jar Binks Started towards the Curb

You do not like Jar Jar Binks. Lacking the understanding that nobody likes Jar Jar Binks, however, there's never been official vindication for 'Star Wars' fans. Jar Jar in 'Episode I' is occur stone, and -- regrettably -- there is nothing to become done about this. (Well, next to nothing: there's always 'The Phantom Edit' -- the fan-made cut that scratches the hated character in the film entirely.) Well, the very first time there's newer and more effective hope (ding!) -- as the brand new 'Episode I' three dimensional poster. Associated with the three dimensional re-discharge of the prequel next Feb, the look provides solace towards the 'Star Wars' nerds: there's forget about Jar Jar around the poster. Actually, the image is fairly light on figures to start with, with only Darth Maul, Obi-Wan Kenobi and Yoda present (instead of the initial, which incorporated Maul and Obi-Wan, together with Jar Jar, Qui-Gon Jinn, Anakin Skywalker, Full Amydala, C-3PO and R2D2). You can observe that old and new posters below. 'Phantom Menace 3D' will hit the giant screen on February. 10, 2012. By helping cover their that old... Along with the brand new... [via Bleeding Awesome] Follow Moviefone on Twitter Like Moviefone on Facebook

Readers Share Their 'Back Stage' Stories

Thanks, Back Stage readers, for your kind words in celebration of our 50th anniversary. We couldn't have come this far without you. Here's to the next 50 years!"I'm proud to say I'm 62 and have been reading Back Stage from L.A. and NYC as long as I can remember. I've worked on both coasts in film, TV, and theater for over 40 years with the help of Back Stage and look to continue to do so! All the best to Back Stage for their support and continuing success in providing actors access to work!"Holgie Forrester, West Los Angeles"What a great idea to feature your readers. I have been reading Back Stage since it was Drama-Logue back in 1986. I attribute my first lead in a feature film directly to Drama-Logue from a posting I responded to in 1986. I got the lead in 'Slaughterhouse.' Since then, I have continued to have success responding to casting notices in what is now Back Stage. Sure, you don't get everything you submit to, but when you're in business for yourself, you can't sit and wait for your agent to get you auditions. Back Stage has great casting notices, articles, and other production postings. I've been informed from the many articles over the years and have also gained production employment from ads placed. Thank you for being such an important part of the entertainment industry."Sherry Leigh, Burbank, Calif."I have read Back Stage, some of the time with help, for approximately 22 years. I grew up with Back Stage, at the same time that Back Stage was growing from being primarily an East Coast publication. I knew that I wanted to act from the time that I was very young. Someone told my mom about Back Stage so that she could find auditions for me. Back Stage has taken me from 'Annie' at the Grand Dinner Theatre to 'Meet Me in St. Louis' aboard the S.S. Norway to 'An Inspector Calls' at the Ahmanson to 'How the Grinch Stole Christmas!' at the Pantages and an 'Aladdin: [A Musical] Spectacular' at the Disney resort. The jobs I was able to find and book because of Back Stage are too numerous to list.Back Stage has also been the source of great advice and direction throughout the years and has been a great guide in taking my career from child actor tothat of an adult.Alex Chester, Long Beach, Calif."I moved here four years ago from Dublin, Ireland, after working on 'The Tudors' for Showtime, which was filmed in Dublin. Back Stage is my bible! I've been an avid reader ever since I moved out here. Not only does it help me to get advice on the business, but I read up on the news and features. Keep up the good work, and thank you forkeeping me informed."Sonya Macari, Hollywood Hills"I've been reading Back Stage since I first went to NY in 1976! It was my primary newspaper for finding jobs and submitting for parts. It got me many auditions and wonderful parts.I continued that even when I moved out to Los Angeles.I have read reviews of plays I was in both in NY and L.A. Recently, I was interviewed by Simi Horwitz for the "Transitions" issue (Aug. 25, 2011), and that is a wonderful assessment of where I am now as an older actress. Thank you, Back Stage, for all your years of wonderful work for actors."Willow Hale, Hollywood"I have been reading Back Stage for as long as I can remember. It's a really important 'staple' of my life to get that paper every Thursday and look through each and every article for jobs, tips, and reviews. As a matter of fact, I can't think of one thing great that ever happened to me in the business that didn't involve Back Stage!"Amanda Trees, Brooklyn Heights, N.Y."I've been an actor since taking acting lessons in 1987, with my first role as an extra in 'Bright Lights, Big City.' I began my subscription to Back Stage 21 years ago in April 1990. Back Stage keeps me informed and up-to-date about the entertainment industry and most of all has been my prime source for successful auditions.I look forward to receiving Back Stage every week. Your casting notices are essential for an actor."Steve Kasprzak, Floral Park, N.Y. "What seems like an eternity ago, back in 1995 Back Stage West ran an audition announcement from the American Heartland Theatre out of Kansas City, Mo., for the first-ever regional theater presentation of the London hit musical 'BuddyThe Buddy Holly Story.' They were looking nationally for the lead part of Buddy. I would never have known about this audition if not for Back Stage West. In actual fact, I had not purchased one from the newsstand that week, but my friend John Keller called me and told me to go pick one up. I did and I got the part, but more importantly, it set me down a path of more productions of this show, many other opportunities, and then eventually my own concerts, fully realizing my goal of full-time entertainment work. Cheers to you, Back Stage."John Mueller, Los Angeles, Back Stage reader since 1994"Back Stage has been my bible on two coasts, over 20 years and five agents.It's informed, inspired, and instructed me along the way.In a sometimes solitary career, it's made me feel like I have a family of actors to turn to for guidance."John F. McCormick, via email"I have been reading Back Stage for decades. As a novice coming to NYC, Back Stage was my resource for auditions, photographers, classes, and anything and everything I needed to know about the business. As a professional now residing and working in Los Angeles, Back Stage continues to be a valuable resource connecting me to my new West Coast community and allowing me to keep in touch with East Coast news and events, too. I respect and value Back Stage as the ultimate guide for information of all things stage, screen, TV, and other media forms. Thank you, Back Stage, for 50 years of valuable service to our community of artists."Andrea Lyman, Los Angeles"Before I even took the leap and moved to Los Angeles nearly 14 years ago, I subscribed to Back Stage West, readying myself to hit the ground running once I arrived. I was here for pilot season for five months by myself with no family or friends, and Back Stage was my lifeline. Reading it and submitting to casting notices really helped me feel part of the game. To this day, especially in this fast-paced, electronic age we live in, I still subscribe to the hard copy of Back Stage, and I love sitting quietly reading it over coffee. It's like a dear old friend. Thank you!"Tracy Weisert, Los Angeles"I have been reading Back Stage for five years, and I have blossomed into an actress/model by reading the success stories in Back Stage, attending events through your direct advertisement, and of course getting emails to the latest castings. It has been a great year of success. I have booked numerous roles through casting resources. I have attended seminars where I have met up with your top leads to agencies and directors and to hear heartfelt stories about other actors in the business. I love what you're doing. Continue the great work, and I will be a reader for life. I am grateful to grow and develop, and thanks for being a vital part of this role in my career. Thanks for building a bridge where there was a gap for me, and providing me with the tools to make it work."Irvina Moody, NY"As a native of Los Angeles, I started picking up the first issues of Back Stage West in person, when you were located on North Gordon Street. At the time, those early issues were created on cardboards. Over the years, I have found agents and work during the casting newspaper's early days. In conjunction with electronic casting, Back Stage should be a necessity for actors to read each week. My best wishes are sent for continued success."Jeff Zandberg, Los Angeles"When I moved to Los Angeles, many of the first jobs I received were as a result of the listings in Back Stage. So without a doubt, it was instrumental in me setting off on the right foot in the industryand since most of my friends are people with whom I initially worked, developing those relationships, too. That's close to 14 years!"Nate Barlow, Los Angeles "I have been intermittently reading B.S./BSW since it has been available in L.A. I have used it to cast my indie projects and acting classes, which have led me to make new friends and a group of go-to professionals to work with. In 1993 BSW ombudsman Tom Mills contacted the syndicated news magazine show 'The Crusaders' on my behalf. Ironically, the show where the reporters were 'crusaders,' or 'advocates dedicated to making change where injustices were found,' was refusing to pay me for my acting services. I quickly got paid as a result. Thanks again, Back Stage."Tony Stengel, actor-director-producer, Los Angeles "Back Stage has kept me informed of the entertainment industry involving real work and auditions in this economically stressful time in our profession.There are opportunities in many areas.I moved to Park City, Utah, six years ago and have grown and learned much in my professional career. Thanks."D. Justin Cole, Park City, Utah"I have been reading Back Stage as one of only three actor's resources for casting and film updates that I trust through years of researching what is accurate and what is up-to-date, as a professional film actor. When I lived in Los Angeles, I absolutely depended on it for every update. I nowlive in my hometown of Pittsburgh, Pa., where the city and statehave become a film hub over the past decade. It isso interesting to read not only about my hometown in your magazine and online, but it is fun just to see what is going on in the industry as a whole and how everything in the industry ultimately affects me here, as an actor. Your magazine and online site area kind of universalsourcethat keeps everyone connected to what is going on in the entertainmentindustry.Thanks for supporting an industry I hope to always be a part of."Bill Ehrin, Pittsburgh, Pa."I began reading Back Stage in 1981 when I moved to NY City. I always looked forward to the weekly issue and received many jobs from the audition sections!"Holly Kerr, NY"I have been getting Back Stage since the mid-'90s, and I have had much success with getting auditions and taking acting classes and finding acting groups like The Groundlings as well as voiceover work through Kalmenson. I was able to audition for 'Rent' and several amazing opportunities through Back Stage. Thanks so much, Back Stage, for all your effort to keep us actors and singers plugged in to what's going on." DC Pincus, Beverly Hills, Calif."I have been reading Back Stage for the past 10 years, and if not for Back Stage, I would not have known anything about acting jobs in N.Y. The biggest was when I landed a feature part in the movie 'I Think I Love My Wife' with Chris Rock. I was the Homeless Man coming through the street as Kerry Washington was dropping money out of the window of Chris' office. There have been other jobs I have gotten from the magazine, but that was the most prominent. I recommend this magazine to every actor everywhere."Ken Peebles, Richmond, Va."I've been reading Back Stage since the '80s when I first came up in the Philadelphia/N.Y. scene and pretty much got all my work through the paper. Now, almost 25 years later, I get the paper every so often, but with the Internet I mainly get my info through Back Stage Espresso; it's quick and easy and gets right to union casting notices to save time. It's a great tool for any actor at any level."Ryan (Orion) McCabe, via email"I have been reading Back Stage since the beginning of my career in the mid-'80s. The articles on the tools of the trade have been the most rewarding for me. Those helpful tips continue to enable me to make a living in this crazy, wonderful business."Peter Tocco, Detroit, Mich."Back Stage was the best resource I had when I moved to NY. I will never forget picking up my first issue at the newsstand and, in turn, booking an indie feature. Back Stage has progressed and offers far more information than any other publication for everyone in entertainment. Happy golden anniversary, Back Stage!"Shelley Bennett, writer-actor, via email"Happy 50th, Back Stage. It has helped me a great deal with industry info, especially the classifieds. And the many ideas, wonderful casting calls from NY to Los Angeles, etc. Thanks, Back Stage. Keep on bringing it. We love it."Earl L. Thompson, Lancaster, Calif."Back Stage was the very first newspaper I went to in 1979 when I arrived in NYC. It helped me get my first professional job and Equity card. It was for a national tour of 'The Sound of Music.' I was hooked ever since. I still read it today. I like it because it is correct, ethical, and gets to the point. Thanks, Back Stage. Happy Anniversary!"Lani Martin, via email"Back Stage has been the backbone of my 40-year career as an actor and speaker andhelped me get into show business and created an opportunity foracting knowledge and the ability to get out among the public as a doer and spearheadmy passion to educate andfollow theideas of Back Stage. Without Back Stage's encouragement, my success and awards would never have happened." Burt Richards, via email"Back Stage gave me the information I needed. I would get calls for auditions and land acting jobs. I have been reading it for 18 years. Thank you, Back Stage."Michelle Csitos, Winnetka, Calif."About 15 years ago I saw an ad in Back Stage. It was from AGVA. They were looking for performers to do a show at the Actors [Fund] Home in Englewood, N.J. I sent them my photo and rsum and told them all about my one-man show on Groucho Marx. I figured that the average age group there would love it. I was right! I was hired by Fran Gaar and still do shows to this day. So, thank you, Back Stage."Ron MacCloskey, Edison, N.J."I started reading Back Stage soon after I arrived in NYC in 1969. I've had good years and bad years in the business (and a few great years), but the lion's share of my work has always come through notices in Back Stagefilm, TV, and stage workincluding one terrific Off-Broadway contract ('Tamara') that paid close to Broadway salary and lasted over two years. Every time I think that the EPAs listed in Back Stage are useless, a happy surprise comes as a result of one (like my next gig at Westchester Broadway Theatre). Especially when one is without an agent (and even when one has an agent), Back Stage is a friend and an ally."Kathleen Huber, NY"Love. Motivation. Passion. Oh, how Back Stage has helped me through many a troubling time in the acting world! As actors, we all feel moments when we are ready to collapse at the mystery that is casting! But Back Stage has been a tremendous help at demystifying the process. As a matter of fact, it has demystified many a process in regards to all elements of acting, whether it be through the sexy Secret Agent [Man] or intelligent interviews. Thank you, Back Stage, for giving me added strength to continue my endeavors!"Edi Monroy, NY"Having recently arrived in NY, as a dancer (musical theater and commercial), Back Stage has been my bible. I read it religiously every week. From the audition/casting notices to where to take classes and get headshot repros, it has been an invaluable tool for someone who has just moved to the city. The articles and features are informative and entertaining, from show reviews to what to pack in your dance bag!"Belinda Campbell, NY"In the 20 years that I have been an actor, Back Stage has been there. When I needed to find out who was filming where, Back Stage was there. When I wanted a photographer, school, or someone to make copies of my pictures, Back Stage was there. When I do seminars and students ask, 'What is the first thing you do after you decide you want to be an actor?,' [I tell them,] 'Read Back Stage.' Back Stage has told me about plays I wanted to see, and some I didn't even know existed. Back Stage has inspired me by having conversations with new actors, older actors, agents, and producers to get their perspective on what actors should and shouldn't do in the business. Even when I was not working, Back Stage was always on the newsstand waiting for me to pick it up and find a new job. Now here it is for me some 20 years later, and I sit here reading Back Stage on my iPad and think about all the changes that have come over the yearsand wonder, 'What is coming next?' Happy anniversary to Back Stage."Vernon W Campbell, via email"I knew of Back Stage when it was still Drama-Logue. My first memory of the paper was hanging around in the dance studio where I participated (at age 6) in a junior version of the musical 'Fame.' Grown-up women would be hanging around reading Drama-Logue, and I knew there was something wonderful inside. I started reading the paper myself as soon as I was old enough to drive myself to all the auditions inside, which means I've been thumbing through the audition listings for about 11 years. Back Stage has helped me book paid gigs, free gigs, and connected me to the large but very 'small world'ish theater community in Los Angeles, and I look forward to the next 50 years! Thanks!"Bonnie Sludikoff, Glendale, Calif."What's great about Back Stage is that it's a place that says, 'It's awesome to be an actor.' As you travel further in this roller coaster of a profession, you can always turn to Back Stage as a fertile ground for advice (situations are oftentimes tricky), reviews of good teachers, and how to manage your finances. It has increasingly become a destination of comfort and trust.It's so supportive that sometimes it can feel like 'crack for actors.' "John Pick, via email"I can say that my career really started with the help of Back Stage. After studying in NY at the Lee Strasberg Theatre Institute I moved to Los Angeles and did what all actors probably should be doing: buy a copy of Back Stage every week. One day I saw this casting notice in Back Stage for the AFI film 'Remote Control.' After several auditions, I landed the leading part. The film screened worldwide at prestigious film festivals and won numerous awards, including a Student Academy Award nomination. That was over 10 years agothis film really launched my career and helped me to get my first agent back then and even other film offers. So thank you, Back Stage! Happy Anniversary, and here's to many, many more years!"Branko Tomovic, London and Los Angeles"I joined AEA May 31, 1957. My last Equity job was in 1984. Those almost 30 years were among the happiest days of my life. Back Stage was the source of all my employmentno agents, no managers. Regional, Broadway, Off-Broadway before it became "fashionable." I had the honor to work with Dame Judith Anderson, Bert Lahr, Claire Bloom, Judith Malina, Ruby Dee, and Irene Papas. I do some film and television and am currently dancing with Naomi Goldberg Haas' dance group and am happy to be doing that form of creativity. I use my acting skills through movement and improvisation. Times have changed. So has Back Stage."Dina Paisner, NY"Happy Birthday, Back Stage! I am grateful for all the informative interviews, resources, and opportunities you've always providedonline and in print. Here's to another 50 years of incredible work." Jeremy Glazer, Hollywood, Back Stage reader since 2000"Back Stage has always been part of my professional theater life. When I lived in Boston, D.C., and NYC. Now that I live in New England, it keeps me connected and makes me feel part of a larger network. Thanks for always being there."Sandra Gartner, via email"It surprises me that Back Stage is only 50 years old. It seems I began reading it, and getting gigs through it, longer ago than that. I suppose my introduction to Back Stage must have been in the '70s. Keep on keeping on."Eugene Hobgood, via email Thanks, Back Stage readers, for your kind words in celebration of our 50th anniversary. We couldn't have come this far without you. Here's to the next 50 years!"I'm proud to say I'm 62 and have been reading Back Stage from L.A. and NYC as long as I can remember. I've worked on both coasts in film, TV, and theater for over 40 years with the help of Back Stage and look to continue to do so! All the best to Back Stage for their support and continuing success in providing actors access to work!"Holgie Forrester, West Los Angeles"What a great idea to feature your readers. I have been reading Back Stage since it was Drama-Logue back in 1986. I attribute my first lead in a feature film directly to Drama-Logue from a posting I responded to in 1986. I got the lead in 'Slaughterhouse.' Since then, I have continued to have success responding to casting notices in what is now Back Stage. Sure, you don't get everything you submit to, but when you're in business for yourself, you can't sit and wait for your agent to get you auditions. Back Stage has great casting notices, articles, and other production postings. I've been informed from the many articles over the years and have also gained production employment from ads placed. Thank you for being such an important part of the entertainment industry."Sherry Leigh, Burbank, Calif."I have read Back Stage, some of the time with help, for approximately 22 years. I grew up with Back Stage, at the same time that Back Stage was growing from being primarily an East Coast publication. I knew that I wanted to act from the time that I was very young. Someone told my mom about Back Stage so that she could find auditions for me. Back Stage has taken me from 'Annie' at the Grand Dinner Theatre to 'Meet Me in St. Louis' aboard the S.S. Norway to 'An Inspector Calls' at the Ahmanson to 'How the Grinch Stole Christmas!' at the Pantages and an 'Aladdin: [A Musical] Spectacular' at the Disney resort. The jobs I was able to find and book because of Back Stage are too numerous to list.Back Stage has also been the source of great advice and direction throughout the years and has been a great guide in taking my career from child actor tothat of an adult.Alex Chester, Long Beach, Calif."I moved here four years ago from Dublin, Ireland, after working on 'The Tudors' for Showtime, which was filmed in Dublin. Back Stage is my bible! I've been an avid reader ever since I moved out here. Not only does it help me to get advice on the business, but I read up on the news and features. Keep up the good work, and thank you forkeeping me informed."Sonya Macari, Hollywood Hills"I've been reading Back Stage since I first went to NY in 1976! It was my primary newspaper for finding jobs and submitting for parts. It got me many auditions and wonderful parts.I continued that even when I moved out to Los Angeles.I have read reviews of plays I was in both in NY and L.A. Recently, I was interviewed by Simi Horwitz for the "Transitions" issue (Aug. 25, 2011), and that is a wonderful assessment of where I am now as an older actress. Thank you, Back Stage, for all your years of wonderful work for actors."Willow Hale, Hollywood"I have been reading Back Stage for as long as I can remember. It's a really important 'staple' of my life to get that paper every Thursday and look through each and every article for jobs, tips, and reviews. As a matter of fact, I can't think of one thing great that ever happened to me in the business that didn't involve Back Stage!"Amanda Trees, Brooklyn Heights, N.Y."I've been an actor since taking acting lessons in 1987, with my first role as an extra in 'Bright Lights, Big City.' I began my subscription to Back Stage 21 years ago in April 1990. Back Stage keeps me informed and up-to-date about the entertainment industry and most of all has been my prime source for successful auditions.I look forward to receiving Back Stage every week. Your casting notices are essential for an actor."Steve Kasprzak, Floral Park, N.Y. "What seems like an eternity ago, back in 1995 Back Stage West ran an audition announcement from the American Heartland Theatre out of Kansas City, Mo., for the first-ever regional theater presentation of the London hit musical 'BuddyThe Buddy Holly Story.' They were looking nationally for the lead part of Buddy. I would never have known about this audition if not for Back Stage West. In actual fact, I had not purchased one from the newsstand that week, but my friend John Keller called me and told me to go pick one up. I did and I got the part, but more importantly, it set me down a path of more productions of this show, many other opportunities, and then eventually my own concerts, fully realizing my goal of full-time entertainment work. Cheers to you, Back Stage."John Mueller, Los Angeles, Back Stage reader since 1994"Back Stage has been my bible on two coasts, over 20 years and five agents.It's informed, inspired, and instructed me along the way.In a sometimes solitary career, it's made me feel like I have a family of actors to turn to for guidance."John F. McCormick, via email"I have been reading Back Stage for decades. As a novice coming to NYC, Back Stage was my resource for auditions, photographers, classes, and anything and everything I needed to know about the business. As a professional now residing and working in Los Angeles, Back Stage continues to be a valuable resource connecting me to my new West Coast community and allowing me to keep in touch with East Coast news and events, too. I respect and value Back Stage as the ultimate guide for information of all things stage, screen, TV, and other media forms. Thank you, Back Stage, for 50 years of valuable service to our community of artists."Andrea Lyman, Los Angeles"Before I even took the leap and moved to Los Angeles nearly 14 years ago, I subscribed to Back Stage West, readying myself to hit the ground running once I arrived. I was here for pilot season for five months by myself with no family or friends, and Back Stage was my lifeline. Reading it and submitting to casting notices really helped me feel part of the game. To this day, especially in this fast-paced, electronic age we live in, I still subscribe to the hard copy of Back Stage, and I love sitting quietly reading it over coffee. It's like a dear old friend. Thank you!"Tracy Weisert, Los Angeles"I have been reading Back Stage for five years, and I have blossomed into an actress/model by reading the success stories in Back Stage, attending events through your direct advertisement, and of course getting emails to the latest castings. It has been a great year of success. I have booked numerous roles through casting resources. I have attended seminars where I have met up with your top leads to agencies and directors and to hear heartfelt stories about other actors in the business. I love what you're doing. Continue the great work, and I will be a reader for life. I am grateful to grow and develop, and thanks for being a vital part of this role in my career. Thanks for building a bridge where there was a gap for me, and providing me with the tools to make it work."Irvina Moody, NY"As a native of Los Angeles, I started picking up the first issues of Back Stage West in person, when you were located on North Gordon Street. At the time, those early issues were created on cardboards. Over the years, I have found agents and work during the casting newspaper's early days. In conjunction with electronic casting, Back Stage should be a necessity for actors to read each week. My best wishes are sent for continued success."Jeff Zandberg, Los Angeles"When I moved to Los Angeles, many of the first jobs I received were as a result of the listings in Back Stage. So without a doubt, it was instrumental in me setting off on the right foot in the industryand since most of my friends are people with whom I initially worked, developing those relationships, too. That's close to 14 years!"Nate Barlow, Los Angeles "I have been intermittently reading B.S./BSW since it has been available in L.A. I have used it to cast my indie projects and acting classes, which have led me to make new friends and a group of go-to professionals to work with. In 1993 BSW ombudsman Tom Mills contacted the syndicated news magazine show 'The Crusaders' on my behalf. Ironically, the show where the reporters were 'crusaders,' or 'advocates dedicated to making change where injustices were found,' was refusing to pay me for my acting services. I quickly got paid as a result. Thanks again, Back Stage."Tony Stengel, actor-director-producer, Los Angeles "Back Stage has kept me informed of the entertainment industry involving real work and auditions in this economically stressful time in our profession.There are opportunities in many areas.I moved to Park City, Utah, six years ago and have grown and learned much in my professional career. Thanks."D. Justin Cole, Park City, Utah"I have been reading Back Stage as one of only three actor's resources for casting and film updates that I trust through years of researching what is accurate and what is up-to-date, as a professional film actor. When I lived in Los Angeles, I absolutely depended on it for every update. I nowlive in my hometown of Pittsburgh, Pa., where the city and statehave become a film hub over the past decade. It isso interesting to read not only about my hometown in your magazine and online, but it is fun just to see what is going on in the industry as a whole and how everything in the industry ultimately affects me here, as an actor. Your magazine and online site area kind of universalsourcethat keeps everyone connected to what is going on in the entertainmentindustry.Thanks for supporting an industry I hope to always be a part of."Bill Ehrin, Pittsburgh, Pa."I began reading Back Stage in 1981 when I moved to NY City. I always looked forward to the weekly issue and received many jobs from the audition sections!"Holly Kerr, NY"I have been getting Back Stage since the mid-'90s, and I have had much success with getting auditions and taking acting classes and finding acting groups like The Groundlings as well as voiceover work through Kalmenson. I was able to audition for 'Rent' and several amazing opportunities through Back Stage. Thanks so much, Back Stage, for all your effort to keep us actors and singers plugged in to what's going on." DC Pincus, Beverly Hills, Calif."I have been reading Back Stage for the past 10 years, and if not for Back Stage, I would not have known anything about acting jobs in N.Y. The biggest was when I landed a feature part in the movie 'I Think I Love My Wife' with Chris Rock. I was the Homeless Man coming through the street as Kerry Washington was dropping money out of the window of Chris' office. There have been other jobs I have gotten from the magazine, but that was the most prominent. I recommend this magazine to every actor everywhere."Ken Peebles, Richmond, Va."I've been reading Back Stage since the '80s when I first came up in the Philadelphia/N.Y. scene and pretty much got all my work through the paper. Now, almost 25 years later, I get the paper every so often, but with the Internet I mainly get my info through Back Stage Espresso; it's quick and easy and gets right to union casting notices to save time. It's a great tool for any actor at any level."Ryan (Orion) McCabe, via email"I have been reading Back Stage since the beginning of my career in the mid-'80s. The articles on the tools of the trade have been the most rewarding for me. Those helpful tips continue to enable me to make a living in this crazy, wonderful business."Peter Tocco, Detroit, Mich."Back Stage was the best resource I had when I moved to NY. I will never forget picking up my first issue at the newsstand and, in turn, booking an indie feature. Back Stage has progressed and offers far more information than any other publication for everyone in entertainment. Happy golden anniversary, Back Stage!"Shelley Bennett, writer-actor, via email"Happy 50th, Back Stage. It has helped me a great deal with industry info, especially the classifieds. And the many ideas, wonderful casting calls from NY to Los Angeles, etc. Thanks, Back Stage. Keep on bringing it. We love it."Earl L. Thompson, Lancaster, Calif."Back Stage was the very first newspaper I went to in 1979 when I arrived in NYC. It helped me get my first professional job and Equity card. It was for a national tour of 'The Sound of Music.' I was hooked ever since. I still read it today. I like it because it is correct, ethical, and gets to the point. Thanks, Back Stage. Happy Anniversary!"Lani Martin, via email"Back Stage has been the backbone of my 40-year career as an actor and speaker andhelped me get into show business and created an opportunity foracting knowledge and the ability to get out among the public as a doer and spearheadmy passion to educate andfollow theideas of Back Stage. Without Back Stage's encouragement, my success and awards would never have happened." Burt Richards, via email"Back Stage gave me the information I needed. I would get calls for auditions and land acting jobs. I have been reading it for 18 years. Thank you, Back Stage."Michelle Csitos, Winnetka, Calif."About 15 years ago I saw an ad in Back Stage. It was from AGVA. They were looking for performers to do a show at the Actors [Fund] Home in Englewood, N.J. I sent them my photo and rsum and told them all about my one-man show on Groucho Marx. I figured that the average age group there would love it. I was right! I was hired by Fran Gaar and still do shows to this day. So, thank you, Back Stage."Ron MacCloskey, Edison, N.J."I started reading Back Stage soon after I arrived in NYC in 1969. I've had good years and bad years in the business (and a few great years), but the lion's share of my work has always come through notices in Back Stagefilm, TV, and stage workincluding one terrific Off-Broadway contract ('Tamara') that paid close to Broadway salary and lasted over two years. Every time I think that the EPAs listed in Back Stage are useless, a happy surprise comes as a result of one (like my next gig at Westchester Broadway Theatre). Especially when one is without an agent (and even when one has an agent), Back Stage is a friend and an ally."Kathleen Huber, NY"Love. Motivation. Passion. Oh, how Back Stage has helped me through many a troubling time in the acting world! As actors, we all feel moments when we are ready to collapse at the mystery that is casting! But Back Stage has been a tremendous help at demystifying the process. As a matter of fact, it has demystified many a process in regards to all elements of acting, whether it be through the sexy Secret Agent [Man] or intelligent interviews. Thank you, Back Stage, for giving me added strength to continue my endeavors!"Edi Monroy, NY"Having recently arrived in NY, as a dancer (musical theater and commercial), Back Stage has been my bible. I read it religiously every week. From the audition/casting notices to where to take classes and get headshot repros, it has been an invaluable tool for someone who has just moved to the city. The articles and features are informative and entertaining, from show reviews to what to pack in your dance bag!"Belinda Campbell, NY"In the 20 years that I have been an actor, Back Stage has been there. When I needed to find out who was filming where, Back Stage was there. When I wanted a photographer, school, or someone to make copies of my pictures, Back Stage was there. When I do seminars and students ask, 'What is the first thing you do after you decide you want to be an actor?,' [I tell them,] 'Read Back Stage.' Back Stage has told me about plays I wanted to see, and some I didn't even know existed. Back Stage has inspired me by having conversations with new actors, older actors, agents, and producers to get their perspective on what actors should and shouldn't do in the business. Even when I was not working, Back Stage was always on the newsstand waiting for me to pick it up and find a new job. Now here it is for me some 20 years later, and I sit here reading Back Stage on my iPad and think about all the changes that have come over the yearsand wonder, 'What is coming next?' Happy anniversary to Back Stage."Vernon W Campbell, via email"I knew of Back Stage when it was still Drama-Logue. My first memory of the paper was hanging around in the dance studio where I participated (at age 6) in a junior version of the musical 'Fame.' Grown-up women would be hanging around reading Drama-Logue, and I knew there was something wonderful inside. I started reading the paper myself as soon as I was old enough to drive myself to all the auditions inside, which means I've been thumbing through the audition listings for about 11 years. Back Stage has helped me book paid gigs, free gigs, and connected me to the large but very 'small world'ish theater community in Los Angeles, and I look forward to the next 50 years! Thanks!"Bonnie Sludikoff, Glendale, Calif."What's great about Back Stage is that it's a place that says, 'It's awesome to be an actor.' As you travel further in this roller coaster of a profession, you can always turn to Back Stage as a fertile ground for advice (situations are oftentimes tricky), reviews of good teachers, and how to manage your finances. It has increasingly become a destination of comfort and trust.It's so supportive that sometimes it can feel like 'crack for actors.' "John Pick, via email"I can say that my career really started with the help of Back Stage. After studying in NY at the Lee Strasberg Theatre Institute I moved to Los Angeles and did what all actors probably should be doing: buy a copy of Back Stage every week. One day I saw this casting notice in Back Stage for the AFI film 'Remote Control.' After several auditions, I landed the leading part. The film screened worldwide at prestigious film festivals and won numerous awards, including a Student Academy Award nomination. That was over 10 years agothis film really launched my career and helped me to get my first agent back then and even other film offers. So thank you, Back Stage! Happy Anniversary, and here's to many, many more years!"Branko Tomovic, London and Los Angeles"I joined AEA May 31, 1957. My last Equity job was in 1984. Those almost 30 years were among the happiest days of my life. Back Stage was the source of all my employmentno agents, no managers. Regional, Broadway, Off-Broadway before it became "fashionable." I had the honor to work with Dame Judith Anderson, Bert Lahr, Claire Bloom, Judith Malina, Ruby Dee, and Irene Papas. I do some film and television and am currently dancing with Naomi Goldberg Haas' dance group and am happy to be doing that form of creativity. I use my acting skills through movement and improvisation. Times have changed. So has Back Stage."Dina Paisner, NY"Happy Birthday, Back Stage! I am grateful for all the informative interviews, resources, and opportunities you've always providedonline and in print. Here's to another 50 years of incredible work." Jeremy Glazer, Hollywood, Back Stage reader since 2000"Back Stage has always been part of my professional theater life. When I lived in Boston, D.C., and NYC. Now that I live in New England, it keeps me connected and makes me feel part of a larger network. Thanks for always being there."Sandra Gartner, via email"It surprises me that Back Stage is only 50 years old. It seems I began reading it, and getting gigs through it, longer ago than that. I suppose my introduction to Back Stage must have been in the '70s. Keep on keeping on."Eugene Hobgood, via email

Movieline's Week in Review: Boom!

Stand back! Brace yourself! Nothing can prepare you for the rocking magnitude of the blast that is Movieline’s Week in Review. Read on for all of it, but careful! Don’t look directly into the light, and consider hiding the children. And in any case be stay to drop by this weekend for box-office updates and other fiery dispatches from the one and only Louis Virtel. Have a good one! · Many thanks to this week’s illustrious interviewees, including Sam Shepard, Pam Grier, Sugar Ray Leonard, Tom Six, Laurence R. Harvey and Verge designee Juno Temple. · Netflix’s 10 most rented movies will shock, delight and sadden you — maybe not quite as much as Dirty Girl’s utterly oversexed, temporarily underaged blog will, but still. · Tower Heist was valued at, oh, right around $60. · We went down under for this week’s Bad Movie We Love. · Avengers! Snow White! This calls for photos! · David Cronenberg and Michael Fassbender stopped by NYFF to to stump for A Dangerous Method, but did it affect the Oscar Index?

ABC Developing U.S. Version Of British Crime Comedy Suburban Shootout

EXCLUSIVE: ABC has place in development a U.S. version from the recognized British comedy Suburban Shootout. Byron Balasco will write the hourlong adaptation from the half-hour original, a dark comedy in regards to a lady who escapes the town and her past for suburban bliss simply to uncover she (by using her new neighbors) needs to turn to using unconventional techniques and her past abilities to offer the existence she so desires. ABC Galleries is creating with Aaron Kaplan’s Kapital Entertainment and Laurence Bowen and Philip Clarke’s Feelgood Fiction, the organization behind the British series that controls the format privileges. Balasco, Kaplan, Bowen and Clarke are executive creating. This is actually the second stab at starting a U.S. version of Suburban Shootout. In 2008, Cinemax purchased an airplane pilot compiled by Michelle Ashford, directed by Craig Sonnenfeld and starring Judy Greer. ABC appears just like a great place for that remake considering the fact that the initial continues to be known to as “the British Desperate Average women,” and ABC, the network that airs Average women, requires a successor for that suburban dramedy, that is now in the final season. Produced by Bowen, Roger Beckett and Gary James Martin, Suburban Shootout opened in 2006 and went for 2 seasons on Five and Vital Comedy within the United kingdom as well as on Oxygen within the U.S. ICM reps Balasco, who most lately was co-executive producer on ABC/ABC Galleries’ Detroit 1-8-7, and Feelgood Fiction.

VIDEO: Kyle MacLachlan Likes Playing the Morally Ambiguous Politician on Law &Order: SVU

Law & Order: SVU Eliot Spitzer, Arnold Schwarzenegger, Anthony Weiner. Us citizens are extremely familiar with the story from the politician's fall from sophistication. Law & Order: SVU guest star Kyle MacLachlan states that doesn't make watching the undoing any less fascinating. "Once we have a look at our people in politics, they're to us being, and so they promote themselves to become, completely in control and on top of everything. In my opinion that's what we like to to think about that they are,Inch according to him. In Wednesday's new episode, the actor plays a politician caught in the scandal. "When it removes they've every one of these deep dark secrets that are uncovered that individuals didn't find out about, it always surprises us." Have a look whatsoever from the familiar faces returning to TV this year MacLachlan's Andrew Raines is certainly an ambassador whose boy is suspected of raping a 13-year-old much like Raines begins his campaign for your Senate. Things get a hardship on Raines when his housekeeper's boy may also be suspected in the crime. (May we help help remind you from the certain TV politician hurt having a scandal such as the housekeeper's boy taken?). Watch MacLachlan's full interview here: Law & Order: SVU airs Wednesdays at 10/9c on NBC.

Analyst: Fox Could Easily Get Around $750 Million in New Distribution Revenue After 'Simpsons' Cancellation

NEW You'll be able to - Ironically, a potential cancellation of animated hit show The Simpsons could open additional revenue for the tune near to $750 million for News Corp. which is Fox unit, RBC Capital Areas analyst David Bank mentioned late Tuesday. Plus, it could boost the organization's stock cost by enhancing financials, he mentioned.our editor recommendsFox Expects Finish of 'Simpsons' if Voice Stars Don't Accept 45% Pay Cut (Report)'Simpsons' Money Fight: Biz Model not Sustainable, States Fox "The first distribution deal (struck about 17 in the past) prevented Fox from selling the show into almost every other distribution mechanism but local broadcast," he written in the research note entitled "D'oh! Possible Cancellation In The Simpsons Might Lead To Windfall For News Corp." PHOTOS: Best and Worst TV Fathers: 'The Simpsons,' 'Modern Family' "Ironically, the cancellation in the show enables News Corp. to finally sell off-network distribution rights into cable channels (and potentially to online entrepreneurs)," he referred to, calling the chance windfall for Fox "massive." Ultimately, cable was "relatively minor" if this involves off-network distribution throughout time from the initial deal, Bank mentioned. "But inside the ensuing years, cable elevated being as large an chance as (otherwise bigger than) local broadcast." Fox's TV studio had mentioned formerly Tuesday the business design in the Simpsons wasn't sustainable any more. Research mentioned the studio was searching to reduce voice stars' salaries by 45 percent. Getting rid of The Simpsons could allow Fox to "essentially abrogate" the first distribution agreement, "potentially enabling for approximately $750 million of incremental content income generating,Inch Bank mentioned. He thought that cable distribution and possibly online entrepreneurs could fetch $millions of-$2 million per episode in just what is a library of 506 episodes. "We're feeling Fox would probably only have the rights for approximately 15-17 seasons initially (while using relaxation tied-up inside the original broadcast distribution cycle) and we'd imagine Fox would spread the delivery of episodes across many years,In . Bank suggested. Overall, this might create 10 cents per share-also available value for News Corp. traders when supposing $1.5 million per episode and sixty percent earnings, in line with the analyst. Inadequacies within an positive resolution from the labor dispute between Simpsons cast people as well as the Fox TV studio together with a possible resulting cancellation in the show "is often more positive for News Corp. stock than the usual single might think,In . Bank found the final outcome. Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Subjects The Simpsons News Corp.